Season 4

Episode 63 - Teaching Shakespeare

It's something we've talked about relentlessly on this podcast: teaching Shakespeare is hard. Between the dense language, historical context, and cultural weight of the name "Shakespeare" there are a ton of barriers to getting students invested in the words of Billy S.
So this episode we gathered together three teachers (including Lindsay) and talked all about the educational process. Resources, special techniques, success stories and challenges - all the topics we could think of to discuss with other educators. If you've ever wondered what goes into a teacher's plan for Shakespeare class, or considered sending your child off to a summer drama camp that's all about Shakespeare, take a listen in on our experts' discussion!
Notes:
Huge shout out to our two guests, Francis and Rachel, who joined us from the UK and Oregon, respectively, to share their experiences and wisdom about teaching Shakespeare!
Majestic Theatre is where our Rachel plies her trade as bard director and performer for hire. If you're in Oregon, go check them out!
 

Episode 62 - Antony and Cleopatra

It's a play all about dualities that don't duel quite as much as we might think. Antony and Cleopatra - man and woman - Rome and Egypt - Love and War - every way you look at this play there are nice, clean delineations... until there aren't. We enjoyed reading and talking about this one because it refuses to be pinned down or defined, much like its titular characters. We hope you enjoy the conversation as well!
Notes:
If you don't know anything about Ptolemaic Egypt (like Aidan, who spent a solid three minutes explaining it very poorly), check out the Wikipedia entry at the very least.
Cleopatra (1963) is only 3 hours long, not 5, but we still couldn't bring ourselves to watch it. Let us know if you did and enjoyed it though!
Ancient Bickerings:
Which type of betrayal is more damaging in the play - the romantic, or the political?

Episode 61 - Shakespeare's Most Famous Plays

There were lots of ways we could have looked at the topic of Shakespeare's most famous plays. A deeply analytical examination of what makes some plays rise above others. A detailed case study of a single play, like Romeo & Juliet or Hamlet, that has remained popular over the years. Or even a dismissal of the very idea of popularity.
Instead, we decided on a listicle format. What can we say? We've been moving all week, and we needed to relax and have some fun. We hope you'll have some too as we rank our top five most popular plays - if we were the sole deciders of what is popular.
Notes:
The Shakespeareances list of most often produced plays was our basis for winnowing down the list to the most common productions for establishing our lists.
Our five categories for ranking the popularity-factor (TM pending) of each play were as follows:
Characters
Plot/story
Quotability
Accessibility
Relevance

Episode 60 - Macbeth

Macbeth may be Shakespeare's second most famous play after Hamlet, and for good measure. The speeches and quotes have been seared into English-speaking culture, the phrase "Lady Macbeth" denotes all sorts of things (depending on your point of view), and it may be our most durable parable for the dangers of too much ambition. It's also one of Shakespeare's shortest plays (and the shortest tragedy), with numerous well-received film adaptations over the years to help keep it in the public consciousness.
We were lucky enough to be joined by returning fellow Shakespeare nerd (and David Lynch fan) Brittany, who brought a much needed third perspective on some of the key themes and character discussions of this play: is Lady Macbeth to be understood as a woman, or a unsexed would-be male competing in a man's world? Are the central pair a good couple? And a return to our old question: what does this play have to tell us about what makes a good king? We talk about all that and more in this episode!
Notes:
We discussed a number of film adaptations, including:
The 2015 Justin Kurzel and Michael Fassbender version
The 1971 Roman Polanski and Jon Finch version
The 1957 Akira Kurosawa and Toshiro Mifune adaptation "Throne of Blood"
Ancient Bickering:
Just like your high school English class discussion on this play, we were looking at the timeless question of: "Did Macbeth choose to commit his acts of heinous violence, or was it destiny as foretold by the witches?"

Episode 59 - Shakespeare and Economics

It is natural to wonder what Shakespeare was trying to tell us about money. He was, after all, the owner of his own theatre company, a man who made several wise financial decisions involving his land holdings in his later years. He’d grown up around money. Surely we can read into his plays and discover something of the business acumen and economic philosophy of the man, right?
Maybe. Maybe not. All the same, we’re going to look at the various depictions of money and economic concerns within the works of Shakespeare this week on The Bicks Pod.
 
Ancient Bickerings: If Shakespeare were writing a play based on a modern financial or economic news headline, what story would he choose?
 
Notes:
- For an interesting look at mentions of money in Shakespeare, check out the aptly titled "Money in Shakespeare" by Fumita Ojima- Funnily enough, the Watcher YouTube series Puppet History did a hilarious deep dive into the world of 'coin clipping' (and Isaac Newton, who was Master of the Mint from 1699 until his death in 1727) in their episode "Isaac Newton's Nemesis", so if you would like to learn more about this kind of early currency counterfeiting, check it out! - "This is the Very Coinage of Your Brain: Shakespeare and Money Revisited" by B.J. Cook, a numismatic examination of Shakespeare's work- If you would like to hear us discuss the modern Shakespeare industry, check out our episode "Selling Shakespeare"- This 2014 BBC article breaks down the modern day economy of Shakespeare

Episode 58 - Timon of Athens

One of Shakespeare's lesser-known plays, Timon of Athens (aka "How to Make Friends and Alienate People") may not be his most engaging yarn -- being co-authored by Thomas Middleton strikes your humble podcasters as one potential reason why -- but that doesn't mean that it can't be relatable and interesting, or that it won't resonate with modern life. On the contrary! A story about an uber-wealthy man who literally gives away the entirety of his fortune to the freeloading Athenians he believes are his friends but who abandon him the moment the going gets tough...feels strikingly modern in this day of growing wealth inequity and the reality of late-stage capitalism.
What a cheery way to start...
Well, join us today for a conversation about misanthropy, greed, and wealth and how it resonates from the Ancient Greeks all the way through to the 21st century via Shakespeare and Middleton's Timon of Athens.
Notes:
- "Shakespeare and Middleton’s Co-Authorship of Timon of Athens" by Eilidh Kane- BBC Production of Timon of Athens (1981) on iMDB- The New Yorker article (which is, admittedly, tongue-in-cheek, but which stirred up some discourse on the bird app) "Invoices for Various Recent Acts of Emotional Labor"- Shakespeare Onscreen's episode about Justin Kurzel's 2015 film version of Macbeth
Ancient Bickerings:
Can money buy happiness?

Episode 56 - King Lear

Who has three daughters, two thumbs, and one inheritance to distribute? That guy! *pointing at King Lear* That simple premise becomes the source for one of Shakespeare's most well known and tragic plays. It's also a strangely unsatisfying journey into family dysfunction and moral dilemma, so join us as we chat about the characters, themes, and structure underpinning the tragic history of King Lear!
Notes:
Lindsay was listening to the 1994 BBC radio production of King Lear, available on YouTube. 
The quote Lindsay was looking for (from Lear) is: "How sharper than a serpent's tooth it is to have a thankless child!" 
"The true chronicle history of King Leir, and his three daughters, Gonorill, Ragan, and Cordella As it hath bene diuers and sundry times lately acted" is the official title of the other Lear play that was contemporaneous to Shakespeare's version, and is available online.
Ancient Bickerings:
Which character gets the ending they deserve?

Episode 55 - Shakespeare in the 90s

This is a very special episode dedicated to the era most near and dear to (at least one of) us: the 90s. It was an era that kicked off with parachute pants and Kurt Cobain, and ended with Friends at the top of the ratings chart and Beyoncé still a member of Destiny's Child. In-between there were a whole lot of Shakespeare movies, so we gathered together to ask a few questions.
We were joined in these questions by Brittany, a recent Twin Peaks convert and fellow Shakespeare nerd, who also has fond memories of the 90s and the cultural milieu around it. The three of us dove into some especially pertinent topics like: Why were there so many of these kinds of movies? Do the movies hold up to this day? And what do they tell us about the era in which they were made?
It's a fun chat full of more Britney Spears and N Sync references than we usually manage to fit in. Join us for this one!
Notes:
Our semi-definitive list of 90s Shakespeare movies and adaptations can be found through this Google Doc - let us know if we missed anything!
Shoutout to the Redditors who participated in my question on this topic: why were so many of these movies made?
Ancient Bickerings:
Taking a more lighthearted approach this episode, each of us answered a simple question: which of the 90s Shakespeare movies is your favourite?